
Photography 101: External vs Built-in Flash by Jennifer Clarkson
External flashes, or accessory flashes, have several benefits over built-in, pop-up flashes seen on most cameras today. Power, the ability to change light source location relative to the lens, and additional features all make external flashes worth considering for the avid hobbyist.
Bulb Power
First, let’s discuss power. Simply put, external flashes have much more power than built-in flashes. Think of how many times it took you to learn that your built-in flash’s light fell short of the intended subject and lit only the near objects in your scene. The ability to throw light farther is measured by a flash’s guide number, which used to be the only way to calculate exposure. Specifically, the correct aperture (for ISO 100) equals the guide number divided by the number of feet of the flash from the subject.
Metering with Flash
Modern external flashes allow exposure to be metered with TTL (through-the-lens) flash metering, which allows the unit to regulate the amount of light output in auto-exposure modes. The flash actually cuts off light when enough has been dispensed on the subject. Flash exposure compensation allows further fine-tuning whereby adjustments can be made to allow more or less light than the TTL metering suggests. Thus, today’s external flashes only have a guide number for flash power comparisons. The guide number on a typical pop-up flash is fairly low – perhaps 40 – whereas the guide number on an external flash easily has a guide number upwards of 100 or 200. For comparison purposes, you need to understand that a guide number of 80 is four times (two stops) more powerful than 40.
Flash Proximity to Subject
External flash also allows you to distance the flash light source from the lens. This becomes very important for macro photography where pop-up flashes can actually cause shadows of the lens, based on its proximity to the large barrel. It is also more likely to cause red-eye in portrait shots, and means you cannot conveniently counteract another light source since the built-in flash is not moveable. With infrared or radio slaves, motion detectors or photo cell sensors, multiple flashes can be triggered remotely in sync, no matter how far away from the camera they are.
Fill Flash
Most accessory flashes have the ability to shoot at less than 100% power, so as to enable fill-flash in appropriate situations. Built-in flashes must be manually covered with a diffuse fabric in order to be successful at providing fill-light (e.g. brightening a flower, or combining fill-flash with slow shutter speed for fast-moving wildlife). Variable power in external flashes makes fine-tuning aperture or flash proximity to subject very easily. Some external flashes have infrared sensors that sense the distance to the subject automatically, thus synchronizing the camera to suggest a correct aperture and shutter speed.
Flash Heads
When it comes to physically setting up an external flash, most come with swivel and bounce heads, to allow more realistic and softer lighting effects by bouncing light from a white card or reflector above or to the side of the subject. These are things that a pop-up flash cannot do.
Zoom heads on external flashes allow for coverage adjustment when the flash is used in conjunction with a wide-angle or telephoto lens. The path of light covered by the flash will be modified to suit the angle of coverage by the lens. Ring flashes are a particular type of external flash that forms a ring around the barrel of the lens – they are best suited to macro or portrait photography where large lenses can get in the way of pop-up flashes and cause a shadow.
Dedicated Flashes
Dedicated flashes are external flashes built specifically to work with a particular camera’s features and settings. Third party flash manufacturers such as Sigma design dedicated flashes for each of the major camera brands.
Jennifer Clarkson is a Canadian photographer living in Ottawa. She is compiling a series of Photography Tips on her website to promote the education of amateur photographers.
For more Photography Tips, or to view her Photo Gallery, please visit www.jclarksonphotography.com.
Article Submission made possible by: http://www.articles-submit.com
Courtesy of:ArticlesRus.Net
Article Source: http://www.earticlesonline.com/Article/Photography-101–External-vs-Built-in-Flash/47999
Macro Photography Tips For Beginners | Micro Photos
|
|
Canon EF 50mm f/1.8 II Camera Lens $200.00 This is the lightest EF lens of all at a mere 4.6 oz. (130g). Compact and high-performance, standard lens. Its Gaussian optics provide sharp delineation from near to far focusing distances. The color balance is excellent for a standard lens…. |
|
|
Canon Powershot A1200 12.1 MP Digital Camera with 4x Optical Zoom (Black) $74.99 Canon Powershot A1200 12.1 MP Digital Camera with 4x Optical Zoom (Black)… |
|
|
HHI Camera Kit with 8X Camera Zoom Lens with Mini Tripod and Special Case for iPhone 4 and iPhone 4s (Package include a HandHelditems Sketch Stylus Pen) $28.99 Turn your iPhone 4 into a camera with 8x optical zoom in under a minute! Just attach your iPhone 4 onto the universal holder and it’s done! Product Features: Extendable metallic flexible handle that holds most digital phones or cameras. Move the focusing holder left or right to adjust the lens position. Fitment: iPhone 4 Includes : Long Focal Lens Protective Camera Case For iPhone 4 Universal Hold… |
|
|
ExpertVideo: Digital Photography $2.99 4+~~Interave Media LLC~~Interave Media, LLC~~http://itunes.apple.com/app/expertvideo-digital-photography/id327775106?uo=5~~Interave Media LLC~~1.0.9~~2117322~~487480~~http://www.metaplayer.net/support.php?channel=expertdigphoto~~http://www.metaplayer.net/support.php?channel=expertdigphoto |
|
|
Photo Academy $2.99 4+~~Aspyre Solutions~~Aspyre Solutions Pty Ltd~~http://itunes.apple.com/app/photo-academy/id413735533?uo=5~~2011 Aspyre Solutions Pty Ltd~~1.1.1~~6792361~~19728733~~http://photoacademyapp.com~~http://photoacademyapp.com |
