Photography Developing Supplies


Dark Room Photography Guide to Getting Started by Autumn Lockwood

Although developing film and making prints is not as common as it used to be, it is still a lot of fun to learn how to develop your own prints. There is just something special about seeing an image develop right in front of your eyes that makes it so much fun. So, if you’re brand new to darkroom photography here is a basic introduction to help you get started.

We’ll skip developing your film and getting supplies for now and just talk about the actual process.

Making Prints with an Enlarger

An enlarger is a machine that turns your film into large printed photos. It does this by projecting light through your film and onto the surface of your photo paper, exposing the light sensitive chemicals buried inside.

In order to create a print, you will have to line up the frame with your enlarger’s light source, then project it onto a blank mat and make sure it’s properly focused by adjusting the knob on the side. You want to make sure that you can clearly see the grain of the image. If you’re not sure, use a magnifying glass to check. You’ll need to mess with the exposure timing to ensure the image comes out right, then you should be good to go.

The Chemicals

Once you’ve decided on the correct timing and exposed a full photograph, it’s time to get your hands dirty. Dark room chemicals will unfortunately ruin any clothing they come in contact with so it’s best to wear old clothes or wear an apron to minimize ruined clothes. The chemical process can be broken down into four steps:

1. Developer

Soak your paper, which will still be completely white, in the developer. The developer will activate the photo paper and in a few minutes you’ll be able to see the image come through on the paper. If you don’t like the contrast or exposure, just head back to the enlarger and get another piece of photo paper and adjust your timing. Once you have a print you like and it’s done developing, move it to the stop bath for a soak.

2. Stop Bath

The stop bath will prevent your image from developing any further by neutralizing the chemicals found in the developer. If you’ve ever been in a darkroom, the smell you remember is the stop bath. Feel your image to see if you can move on; paper that has been properly stopped will squeak when you rub your fingers on it. This should only take a few minutes.

3. Fixer

While the stop bath will stop the effects of the developer chemicals, your paper will still be sensitive to light exposure. Fixer is the last chemical in the process and is responsible for “fixing the chemicals” on the paper so it can be exposed to light without ruining the photograph. You don’t need to soak your prints in fixer for very long- usually about 5-10 minutes depending upon the paper and chemicals.

4. Rinse

Naturally you’ll want to rinse your photos of all the harsh chemicals you’ve soaked in them. Many darkrooms have a sink and a rinsing tub with a continuous flow of water so you can make sure your print is free of chemical residue by rinsing it for a while. This is a good time to print some other shots from your roll!

Once you have enlarged, developed, stopped, fixed and rinsed your prints, place them out to dry in a safe place or use a photo dryer. Don’t forget to rinse your prints well because if you don’t, your photographs will turn brown over time from the chemical residue left on the print. Pick up your dry images and put them in a heavy book to straighten them out (a little curling isn’t unusual), then frame and hang them.

The darkroom can seem intimidating, but once you have a bearing on the process you will enjoy printing your own images. It’s a wonderful creative outlet and gives you a lot more control over your final images then having someone else print them. Just remember to check before turning on the lights or you may just ruin someone’s photograph!

Autumn Lockwood is a writer for Your Picture Frames and loves taking photos. If you’re looking for vintage or antique style ovals, visit our website or call 1-800-780-0699 to get helpful advice and good service.

Article Source: http://www.earticlesonline.com/Article/Dark-Room-Photography-Guide-to-Getting-Started/740878

Intro to Black & White Film Developing : Supplies for Developing Black & White Film


Fujifilm Quick Snap Waterproof 35mm Single Use Camera


Fujifilm Quick Snap Waterproof 35mm Single Use Camera


$3.69


This all-weather camera is ready for anything. It’s ideal for shooting outdoors in wet and snowy conditions, and even operates up to 35 feet underwater!…

Fujifilm 1014258 Superia X-TRA 400 35mm Film -4 Pack


Fujifilm 1014258 Superia X-TRA 400 35mm Film -4 Pack


$3.99


This package includes four rolls of Fuji 35mm Superia X-TRA 400 ASA color print film with 24 exposures per roll. The X-TRA 400 speed delivers excellent results when shooting action subjects or shooting in low light conditions. The Superia X-TRA has a patented 4th color sensitive emulsion layer designed to capture true color even under fluorescent lights. The two-stage timing DIR couplers improve c…

Beseler Cadet II Black & White 35mm Film Enlarger with Lens & Negative Carrier.


Beseler Cadet II Black & White 35mm Film Enlarger with Lens & Negative Carrier.


$251.11


This addition to Beseler’s family of high-quality American made enlargers, the CADET II is ideally suited for both beginners and experienced amateur 35mm photographers. Its compact, lightweight design, plus ease of assembly, setup and storage offers the perfect solution for the temporary or traveling darkroom. The CADET II comes equipped ready for use, complete with a 50mm Beslar lens, 35mm negati…